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DEBELLOIR-FORGERIT Pascale
COSTA Jerusa
ZUATE Marc
http://marczuate.free.fr






Classification : A525-B230-C110-D120
The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.



B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").
B230 : Materiality
in painting, but also with all other materials with the following possibilities: Structured structured combinations
any combinations of lines, colours, matter or volumes of a more structured type (Michail Heizer, Anish Kapoor, Miguel Barceló, ...).


C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).
C110 : towards the intellectual side/ the essence of things conceptual levels specific questionings
from Bruce Naumann to Daniel Buren; the "Art System" questions its own foundations or its history (C.M Mariani, Wim Delvoye, Komar et Melamid, ...).


D axis : COMMUNICATION
Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").
D120 : via what is meant with an explicitly partial iconic involvement
("Social Realism" of Ben Shahn, Boris Taslitzky, André Fougeron, Renato Guttuso, Les Malassis, Groupe DDP, Léon Goulub, ...).