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CORDIER Francine
MATHÉ Brigitte
AZEMA Marie
SPAETER Jackie
LAVOIE Christine
MiA
RENNO Anne-Marie
https://www.renno-artistepeintre.com/



Courant artistique



Classification : A240-A290-B170-C120-D115
The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").
A240 : Allusive inclusion of figures (or real objects ) in the abstract
More or less realistic figurative elements, more or less important but not going beyond details in a predominantly abstract work (Fernand Léger, Jan Voss, Antoni Tàpies, W. De Kooning, the "Combine Paintings" of R.Rauschenberg, ...).
A290 : Figures Imaginary Visionary, mediumistic, fantasy
Dream monsters or creatures of the night are depicted with greater solidity and realism than in A280 (Matta, Max Ernst, Gustave Moreau, Paul Delvaux, Dado, Vito Tangiani, ... or the recent "Fictionists": Marko Mori, ...).


B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").
B170 : Materiality
in painting, but also with all other materials with the following possibilities: unstructured unstructured combinations
free combinations of colour, matter and volumes in a more unstructured fashion (Alberto Burri, Manolo Millares, ...).


C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).
C120 : towards the intellectual side/ the essence of things inward looking work chiefly oriented towards: projective
dreams, poetry, lyricism, psychedelic experience … to "project" an inner world (Henri Michaux, Wols, ...).


D axis : COMMUNICATION
Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").
D115 : via what is meant in various narrations or symbolisms whatever they may be
allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...).