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Learn more about Visual ArtsA Explorer
Visual Arts Explorer is a revolutionary tool that allows art lovers, gallery owners and art commissioners to find with the magic of a click the artists with the creative expression and sensitivity they are looking for.
It also allows independent artists to create their own roster of art lovers/experts who showed interest in their work, and store their contact information for invitations to future exhibitions.
Visual Arts Explorer is the perfect liaison between the artist and his public.
Are you into abstract art? Do you favor raw art?
With just a couple of clicks, Virtual Arts Explorer evaluates your artistic preferences and introduces you to artists whose talent matches what you are looking for. Make your selection and save it in your free account.
Enjoy your visit !
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You are an artist
Visual Arts Explorer is a revolutionary tool that allows art lovers, gallery owners and art commissioners to find with the magic of a click the artists with the creative expression and sensitivity they are looking for.
It also allows independent artists to create their own roster of art lovers/experts who showed interest in their work, and store their contact information for invitations to future exhibitions.
Vision Arts Explorer is the perfect liaison between the artist and his public.
If you are an artist and wish to know more about joining Visual Arts Explorer and setting up your own roster of gallery owners and collectors, please fill out and submit the fields below. There is no obligation on your part.
This information is collected for the sole purpose of sending you an email containing registration requirements to this website. If you have questions concerning the use of your personal information or wish to modify your contact details, please contact contact@active-leads.com
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LABRADOR Rodolphe
http://rodolphelabrador.jimdo.com
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| Classification : A510-B120-B130-C140-C160-C180-D115 The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.
A axis : FORMALISMWhen looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist"). A510 : Forms of "Realism" Differents ways of observing the realities of the world, from a point of view of: Photos and allied themes as a record of reality, or a way of working on it (from H.C. Bresson to R. Mapplethorpe ou Bernd et Hilla Becher, ...). Also as materials belonging to aesthetical work (Anette Messager, Louis Jammes, Philippe Cazal, Pierre et Gilles, ...), or as part of a broader formal work (paintings and photos by Peter Klasen; drawings and photos by Jean Le Gac, ...).
B axis : MATERIALITYHow does the materiality of what is shown come across? (on a scale from more "immaterial" to more "real"). B120 : Immateriality by photography (film or digital) any "action", or representation, so long as it is made visible as a statement on any backing (cibachrome, perspex, paper, ...). Here, under B120; in fixed images (film or digital: J.M.Bustamante, Philippe Ramette, Cindy Scherman). B130 : Materiality in painting, but also with all other materials with the following possibilities: unstructured slight materiality colours and material are more or less understated, diluted, evanescent, playing with their transparence (Zao Wou Ki, Olivier Debré, …).
C axis : INVOLVEMENT BODY/ MINDWith what body:mind ratio does the artist enter into his work? Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...). C140 : towards the intellectual side/ the essence of things inward looking work chiefly oriented towards: fantasmagoric fantasies of all types, be they sexual, social, religious or any other type, so long as there is formal mastery (from Georgia O'Keeffe to Annette Messager, through Clovis Trouille, ...). C160 : tending towards the corporeal / the senses via expression with "humanity" (the passage from Life to Death) - in a literal manner (John de Andrea, Duane Hanson, Itsvan Sandorfi, ...) - or a symbolic manner (James Ensor, G. Rouault, F. Gruber, Zoran Music, Rebeca Stevenson, Jan Vercruysse, ...), ... C180 : tending towards the corporeal / the senses via expression with a frank sensuality, or even openly sexual either literal (Courbet's "Origin of the world", Lucian Freud, John Kacere, P. Klossowki, David Salle, Gilbert and George, ...), - symbolic (Paul Armand Gette, Andreas Serrano, ...), - humorous (Gilles Barbier "cerveau", Boyd Webb "the globe" , ...), - or "realist" (certain "Body-artists" such as Otto Muehl, Paul Mc Carthy's "installations" , Zoran Naskovski's videos, ...), ...
D axis : COMMUNICATIONDoes the artist have the deliberate intention to convey a message of any sort through his work? (classified from the most "mystical" to the most "worldly"). D115 : via what is meant in various narrations or symbolisms whatever they may be allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...). | |  |
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