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Learn more about Visual ArtsA Explorer
Visual Arts Explorer is a revolutionary tool that allows art lovers, gallery owners and art commissioners to find with the magic of a click the artists with the creative expression and sensitivity they are looking for.
It also allows independent artists to create their own roster of art lovers/experts who showed interest in their work, and store their contact information for invitations to future exhibitions.
Visual Arts Explorer is the perfect liaison between the artist and his public.
Are you into abstract art? Do you favor raw art?
With just a couple of clicks, Virtual Arts Explorer evaluates your artistic preferences and introduces you to artists whose talent matches what you are looking for. Make your selection and save it in your free account.
Enjoy your visit !
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You are an artist
Visual Arts Explorer is a revolutionary tool that allows art lovers, gallery owners and art commissioners to find with the magic of a click the artists with the creative expression and sensitivity they are looking for.
It also allows independent artists to create their own roster of art lovers/experts who showed interest in their work, and store their contact information for invitations to future exhibitions.
Vision Arts Explorer is the perfect liaison between the artist and his public.
If you are an artist and wish to know more about joining Visual Arts Explorer and setting up your own roster of gallery owners and collectors, please fill out and submit the fields below. There is no obligation on your part.
This information is collected for the sole purpose of sending you an email containing registration requirements to this website. If you have questions concerning the use of your personal information or wish to modify your contact details, please contact contact@active-leads.com
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FAVA Dino
https://www.dino-fava.com
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| Classification : A370-B200-B210-C140-C160-C170-D115-D120 The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.
A axis : FORMALISMWhen looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist"). A370 : Representative works "Expressionist" Outpouring of the turbulent or even violent inner world of an artist who, unlike with "Abstract Expressionism", does it with the many possible ways of depicting the Figure (from the original Expressionism to COBRA, from "Violent painting" to the "Néo-fauves", ...). Action painting The expression frees itself especially through the breadth and/or force of the painter's movements (Willem De Kooning, Antonio Saura, Vladimir Velickovic …).
B axis : MATERIALITYHow does the materiality of what is shown come across? (on a scale from more "immaterial" to more "real"). B200 : Materiality in painting, but also with all other materials with the following possibilities: Structured with colours predominant with their intrinsic or symbolic strength, (Monory's "blues", G.Fromanger's "reds") historical or social meaning etc., and their structuring, the colours here are the most important (Jules Olitsky, Peter Halley, ...). B210 : Materiality in painting, but also with all other materials with the following possibilities: Structured with materials predominant their thickness, composition or the way they are worked as structures (the way they are "built up") are here the most important aspect (Eugène Leroy, Bertrand Lavier, ...).
C axis : INVOLVEMENT BODY/ MINDWith what body:mind ratio does the artist enter into his work? Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...). C140 : towards the intellectual side/ the essence of things inward looking work chiefly oriented towards: fantasmagoric fantasies of all types, be they sexual, social, religious or any other type, so long as there is formal mastery (from Georgia O'Keeffe to Annette Messager, through Clovis Trouille, ...). C160 : tending towards the corporeal / the senses via expression with "humanity" (the passage from Life to Death) - in a literal manner (John de Andrea, Duane Hanson, Itsvan Sandorfi, ...) - or a symbolic manner (James Ensor, G. Rouault, F. Gruber, Zoran Music, Rebeca Stevenson, Jan Vercruysse, ...), ... C170 : tending towards the corporeal / the senses via expression with - in a literal manner (Vladimir Velickovic, sculptures by Barry Flanagan, Thomas Grünfeld, Installations by Maurizio Cattelan or Janis Kounellis, Damien Hirst, William Wegman's photos, ...) - or a symbolic manner (Hermann Nitsch's "sacrifices", David Nébréda's "soilings", ...), ...
D axis : COMMUNICATIONDoes the artist have the deliberate intention to convey a message of any sort through his work? (classified from the most "mystical" to the most "worldly"). D115 : via what is meant in various narrations or symbolisms whatever they may be allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...). D120 : via what is meant with an explicitly partial iconic involvement ("Social Realism" of Ben Shahn, Boris Taslitzky, André Fougeron, Renato Guttuso, Les Malassis, Groupe DDP, Léon Goulub, ...). | |  |
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