Visual Arts Explorer - The Visual Arts Search Engine

VANDENBERGHE.F

KOECHLIN Marie Danielle
https://artdelaconscience.com

BIGNOLAIS Gérard

RITZ Jean-Pierre

ANICET Victor

BERTHIER Jean-Charles

LAVELLE Bruno

You are an artist

Visual Arts Explorer is a revolutionary tool that allows art lovers, gallery owners and art commissioners to find with the magic of a click the artists with the creative expression and sensitivity they are looking for.

It also allows independent artists to create their own roster of art lovers/experts who showed interest in their work, and store their contact information for invitations to future exhibitions.

Vision Arts Explorer is the perfect liaison between the artist and his public.

If you are an artist and wish to know more about joining Visual Arts Explorer and setting up your own roster of gallery owners and collectors, please fill out and submit the fields below. There is no obligation on your part.

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KOECHLIN Marie Danielle
https://artdelaconscience.com

Classification : A500-B110-B260-C190-D115

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").

A500 : Forms of "Realism"
Differents ways of observing the realities of the world, from a point of view of: "Brechtian"
"Distanciation" of figures with explicit socio-political convictions, with the aim of changing social or political realities (André Fougeron, Groupe DDP, Renato Guttuso, …), or at least "critical" of such realities (Peter Saul, Cindy Sherman, Equipo Cronica, B.Rancillac, ...).

B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").

B110 : Immateriality by video (tape or digital)
from "Video Art", as such, to "Actionism"; any real "action" or representation of an action, as long as they are displayed through tape or digital video. Here, under B110; moving images (Tony Oursler, Michael Snow, Pipilotti Rist, Pierrick Sorin, Matthew Barney, Gary Hill, ...).

B260 : tautology
any object, or material, etc ... taken and presented alone and as such. "Ready Made"
objects themselves, alone (Marcel Duchamp's "Fountain" , ...), or placed in situations (Marcel Broodthaers' "Fictions", Toni Grand's "les bois", ...).

C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).

C190 : tending towards the corporeal / the senses the work as the result of an action gestural
the work as the result of a bodily movement, chiefly a hand movement: from Jackson Pollock's "Dripping" to Georges Mathieu's "Lyrical Abstraction", L. Fontana's "perforations" to the flayed figures of V. Vélickovic.

D axis : COMMUNICATION
Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").

D115 : via what is meant in various narrations or symbolisms whatever they may be
allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...).