Visual Arts Explorer - The Visual Arts Search Engine

FONCHAIN Helene

DOTTY Sculpture
http://www.dotty-sculpture.com

HOFFMANN Charlotte

FREUDENREICH Elisabeth

GAUTRON-DAVY Pascale

HOUDAYER Xavier

DU BUISSON Sophie

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It also allows independent artists to create their own roster of art lovers/experts who showed interest in their work, and store their contact information for invitations to future exhibitions.

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DOTTY Sculpture
http://www.dotty-sculpture.com

Classification : A320-A330-B230-C180-D115

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").

A320 : Representative works Traditional representative works
from the most poetic vision to the most delicate evocation of what constitutes our life and environment, represented by the various forms of painting we know as the "French Tradition" (from Cézanne's Provence landscapes to Van Gogh's bunches of flowers, from Boudin's seascapes to Kisling's portraits...).

A330 : Representative works Work with quiet figures
figures are formally and materially presented in a quiet way (Edward Hopper, Balthus, Edouard Pignon, P. Klossowski, Sam Szafran, A. Garcia Lopez, ...).

B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").

B230 : Materiality
in painting, but also with all other materials with the following possibilities: Structured structured combinations
any combinations of lines, colours, matter or volumes of a more structured type (Michail Heizer, Anish Kapoor, Miguel Barceló, ...).

C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).

C180 : tending towards the corporeal / the senses via expression with a frank sensuality, or even openly sexual
either literal (Courbet's "Origin of the world", Lucian Freud, John Kacere, P. Klossowki, David Salle, Gilbert and George, ...),
- symbolic (Paul Armand Gette, Andreas Serrano, ...),
- humorous (Gilles Barbier "cerveau", Boyd Webb "the globe" , ...),
- or "realist" (certain "Body-artists" such as Otto Muehl, Paul Mc Carthy's "installations" , Zoran Naskovski's videos, ...), ...

D axis : COMMUNICATION
Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").

D115 : via what is meant in various narrations or symbolisms whatever they may be
allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...).