Visual Arts Explorer - The Visual Arts Search Engine

UBERTI Serge

ENGELMARIE SOPHIE
https://www.engelmariesophie.com

SCOFIELD Claire

ZAMI Philippe

DUBERNET Joshua

JAVER Yveline

JOUAN Claude

You are an artist

Visual Arts Explorer is a revolutionary tool that allows art lovers, gallery owners and art commissioners to find with the magic of a click the artists with the creative expression and sensitivity they are looking for.

It also allows independent artists to create their own roster of art lovers/experts who showed interest in their work, and store their contact information for invitations to future exhibitions.

Vision Arts Explorer is the perfect liaison between the artist and his public.

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ENGELMARIE SOPHIE
https://www.engelmariesophie.com

Une vie et un travail

Classification : A260-A220-B230-C130-D115

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").

A260 : Allusive almost figurative
beginning with shapes, matter or gestures, fairly obvious representations of figures (Dubuffet, Fautrier, Bacon, ...)

A220 : Abstracts with signs
The work as a whole remains abstract but includes (or consists entirely of): signs forming writing: writing with meaning
the "Letterists" (Isidore Isou, Maurice Lemaitre, …) to the "Conceptuals" (Joseph Kossuth, Roman Opalka, …); writing ranging from the most formalist to pure communication (Ben, On Kawara, Barbara Kruger, ...).

B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").

B230 : Materiality
in painting, but also with all other materials with the following possibilities: Structured structured combinations
any combinations of lines, colours, matter or volumes of a more structured type (Michail Heizer, Anish Kapoor, Miguel Barceló, ...).

C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).

C130 : towards the intellectual side/ the essence of things inward looking work chiefly oriented towards: l'introspective
inner landscapes, emotions, feelings (Arpad Szenes, ...), serenity (Yves Klein's "Monochromes", ...), equilibrium ("mandalas" of Augustin Lesage or Adolf Wölfli, ...), memory (Boltenski "boxes", ...).

D axis : COMMUNICATION
Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").

D115 : via what is meant in various narrations or symbolisms whatever they may be
allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...).